This past Saturday, my neighbor and studio mate, Alan Mast, and I attended on all day workshop at the Maine College of Art (MECA) on Image Transfer and Copies led by Jill Dalton. We spent the day being instructed in, trying out and mostly bungling mechanisms for transferring images from paper copies to various surfaces via oils and artist mediums. The jury is out on whether any of the techniques will prove useful in further work. More experimentation is needed. The image above on the left is a transfer where the inkjet photocopy bled and produced the weird ghostly effect - interesting?? I don't know. Perhaps the highlight of the day was when Alan and I visited the June Fitzpatrick Gallery next to MECA after the workshop was over and viewed the art on display there. The quality and crispness of the work were striking after a day of struggling in the workshop. Noa Warren's pieces (one is shown above on the right) were especially noteworthy, and required a detailed explanation by the gallery manager as to how they were produced - Belgian linen, multiple coats of clear acrylic, pencil drawing of mesh-like image, precise exacto knife work on the drawing and filling in the knife notches with acrylic paint to give the illusion of a folded mesh embedded in clear plastic. No fumbling or bumbling there.